We speak writers room and board room

Ali Asghar

Ali has a unique combination of business and writing experience.

Powered by 18+ years working in banking, consulting and, he has extensive experience of providing advice on mission critical problems.

In addition, he’s an-award winning writer whose work has appeared on TV, print and stage.

Some of this work has gone viral, set trending topics and generated global media coverage.

By virtue of living in the U.S., UK, Spain, UAE and China, he brings a truly global perspective to every opportunity.

He loves scented candles and universal healthcare.

Eric Cunningham

Eric is an Emmy-nominated TV writer and advisor to start-ups seeking investment in Silicon Valley.

Most recently having written on "Jingle Ball 2024" (ABC), his prior credits include "The Drew Barrymore Show" (CBS), "Holidays with the Houghs" (NBC), "The Kids Choice Awards" (Nickelodeon). He was also Senior Writer at Broadway Video's Más Mejor.

Eric also created “Hit Job”, an Audible horror-comedy starring Keke Palmer & Pete Davidson (nominated by The Podcast Academy for Best Scriptwriting, Fiction), and “Night Late” the long-running celebrity-hosted late night talk show at the Upright Citizens Brigade Theatre in New York.

Origin Story

3:12pm. November 9, 2018. 30 Rockefeller Plaza. New York City.

Executives were sitting through a presentation on NBCUniversal’s new Peacock streaming service that would shape the company’s next 10 years.

The stakes could not be greater. Neither could the yawns.

Despite months of analysis, the CFO was reaching for his iPhone by slide 4.

The attention economy had come for Corporate America.

The problem wasn’t the analysis, it was the narrative.

I knew there was a better way to engage execs. I just didn’t know how until I watched John Oliver make municipal bonds engaging at live taping of Last Week Tonight.

If Oliver could light up public financing, I figured I could do the same for corporate pitches.

So I took storytelling and comedy classes to learn how to move audiences.

Before long, I was writing for TV, The New York Times and stage, transforming dense topics into narratives that commanded attention.

That experience became the foundation for Story Knight: a communications firm that turns complex ideas into compelling narratives that win deals.

We combine Wall Street analytical rigor with Hollywood storytelling craft to deliver messages that ideas don’t just make sense, they sing.

To light up the room next time you presence, let's talk: connect@story-knight.com